2010
Measurement of Loudness, Part II: Context Effects
Arieh Y, Marks L. Measurement of Loudness, Part II: Context Effects. Springer Handbook Of Auditory Research 2010, 37: 57-87. DOI: 10.1007/978-1-4419-6712-1_3.Chapters
2008
Cross-modal interaction between vision and hearing: A speed—accuracy analysis
Arieh Y, Marks L. Cross-modal interaction between vision and hearing: A speed—accuracy analysis. Attention, Perception, & Psychophysics 2008, 70: 412-421. PMID: 18459251, DOI: 10.3758/pp.70.3.412.Peer-Reviewed Original ResearchConceptsCross-modal facilitationCross-modal interactionsSelective attention taskSpeed-accuracy tradeSpeed-accuracy analysisResponse timeAttention taskIrrelevant soundAuditory enhancementAuditory stimuliVisual stimuliBrightness judgmentsIdentification of colorsMeasures of accuracyDecision criteriaStimuliFacilitationNoise conditionsMeasuresTaskJudgmentsParticipantsSATFHearingSound
1989
For Hedgehogs and Foxes: Individual Differences in the Perception of Cross-Modal Similarity
Marks L. For Hedgehogs and Foxes: Individual Differences in the Perception of Cross-Modal Similarity. 1989, 55-65. DOI: 10.1007/978-3-642-74382-5_5.Peer-Reviewed Original ResearchCross-modal similarityDifferent sensory modalitiesStudy of synesthesiaPerceptual qualityUniversal scientific principlesIndividual differencesHigh-pitched soundsPerceptual similaritySensory modalitiesHuman perceptionPsychophysical studiesIndividual variationPerceptionTime peopleSame time peopleSoundLoud soundsUnifying principleSynesthesiaPeopleBright colorsScientific principlesExperienceSimilarityIndividuality
1987
On Cross-Modal Similarity: Auditory-Visual Interactions in Speeded Discrimination
Marks L. On Cross-Modal Similarity: Auditory-Visual Interactions in Speeded Discrimination. Journal Of Experimental Psychology Human Perception & Performance 1987, 13: 384-394. PMID: 2958587, DOI: 10.1037/0096-1523.13.3.384.Peer-Reviewed Original ResearchConceptsHigh-pitched tonesCross-modal interactionsCross-modal similarityAuditory-visual interactionsCross-modal perceptionAccuracy of responsesPerceptual levelSpeeded discriminationSynesthetic metaphorsSensory stimuliBright lightStimuliResponse speedToneLoud soundsDiscriminationSynesthesiaInformationallyPerceptionPitchLoudnessHearingProcessingSoundLight color
1984
Synesthesia and the Arts
Marks L. Synesthesia and the Arts. Advances In Psychology 1984, 19: 427-447. DOI: 10.1016/s0166-4115(08)62362-6.Peer-Reviewed Original Research
1979
A theory of loudness and loudness judgments
Marks L. A theory of loudness and loudness judgments. Psychological Review 1979, 86: 256-285. DOI: 10.1037/0033-295x.86.3.256.Peer-Reviewed Original ResearchLoudness differencesPerceptual basisAuditory processesPerceptual relationshipsPsychophysical judgmentsHierarchy of stagesPsychological scalesLoudness summationAuditory functioningSone scaleBinaural loudness summationPeripheral stagesLoudness judgmentsAuditory systemJudgmentsCentral stageLoudnessIntensity of soundCritical bandEnergy summationFunctioningTheoryScaleProcessingSound
1978
7 Sound Symbolism in Poetry
MARKS L. 7 Sound Symbolism in Poetry. 1978, 193-209. DOI: 10.1016/b978-0-12-472960-5.50012-3.Peer-Reviewed Original ResearchSound symbolismSounds of speechAct of listeningLanguage receptionNonarbitrary relationshipsDirect imitationSpeech soundsSymbolismSpeechTypes of soundsPoetryAcoustical eventsMeaningVisual experienceCrucial differenceAuditory sensationSoundReceptionActsListeningExperienceImitationTranslationRepresentationAnalogical
1975
On colored-hearing synesthesia: Cross-modal translations of sensory dimensions
Marks L. On colored-hearing synesthesia: Cross-modal translations of sensory dimensions. Psychological Bulletin 1975, 82: 303-331. PMID: 1096209, DOI: 10.1037/0033-2909.82.3.303.Peer-Reviewed Original Research